Bernard Gilardi

Bio

Based in Milwaukee, WI, Bernard Gilardi (1920–2008) worked intently on the weekends and at night after working as a dot etcher at various lithography companies creating his artwork. His devout Catholic family, which consisted of his wife, Mary Rose, and their two daughters, Mary and Dee, thought of Gilardi’s painting practice as a simple hobby. Given the religious underpinnings of the household, it is remarkable that Gilardi’s work survived and that he so explicitly (and fluidly) explored themes of homosexuality, race interrelations, religious satire and nudes. Gilardi’s paintings were usually executed on the rough side of masonite with oil paint and range in style from being deeply controversial, to outright bizarre, to sublime and quietly beautiful.

Exhibition History

Selected Exhibitions

We Belong: Presented by Maurizio Cattelan, SHRINE, NYC

Bernard Gilardi, Portrait Society Gallery, Milwaukee

 

Sore Bone Paris Wisconsin, 1995, oil on masonite, 24 x 20 inches


Betty’s Backyard, 1975, oil on masonite, 20 x 24 inches


Gentrification, 1989, oil on masonite, 30 x 24 inches


Oil Pressure, 1976, oil on masonite, 24 x 24 inches


It’s a Deal, 1972, oil on masonite, 24 x 30 inches


Untitled (curly man), 1976, oil on masonite, 48 x 30 inches


Warm Sun, 1963, oil on masonite, 36 x 48 inches


Untitled (kissing couple), 1971, oil on masonite, 29 x 28 inches


Show of Hands, 1976, oil on masonite, 24 x 24 inches


Bouy #8, 1975, oil on masonite, 24 x 36 inches