Bio

Jessica Stockholder b. 1959, Seattle, WA is based in Nanaimo BC, Canada

CV

EDUCATION

1983-85

Yale University, New Haven, CT; sculpture, painting, MFA-1985 (Studied with: Jake

Berthot, Judy Pfaff, Ursula von Rydingsvard, David von Schlegell & George Trakas)

1980-82

University of Victoria, Victoria, BC, Canada; BFA-1982 (Studied with: Mowry Baden &

Roland Brenner)

1978-80

University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course

work (Studied with: Judy Williams & Geoffrey Smedley)

1977-79

The Camden School of Art, London, England; four-month program

University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course

work (Studied with: Judith Lodge)

SELECTED SOLO AND TWO ARTIST EXHIBITIONS

2025

is a knot helpful, Catriona Jeffries Gallery, Vancouver Canada. Oct 30 th – Dec 13 th . With Eli

Bornowsky.

Squared Circle: Ringing, Toronto MOCA, Toronto, Canada. April 17 th – August 3.

Cardinal Directions, Es Baluard Museum, Palma, Spain. Jan 30 th – August 31 st .

2024

Jessica Stockholder: Picture Making and Assembling, Carnegie Museum of Art,

Pittsburgh, PA

Jessica Stockholder: For Events, Hutchinson Courtyard, The University of Chicago,

Chicago, IL

walking to sea, Galleria Raffaella Cortese, Milan, Italy

2023-24

Nomadic Musings, Frac Normandie, Sotteville-lès-Rouen, France

2023

The State of Things, with Ettore Sottsass, Leo Koenig Gallery, New York, NY

2021-22

Specific Shapes, Kavi Gupta Gallery, Chicago, IL

2021

what is normal, Raffaella Cortese Gallery, Milan, Italy

2020

Digital Thoughts, 1301PE, Los Angeles, CA

2019

Save on select landscape & outdoor lighting: Song to mind uncouples, The Contemporary

Austin, Laguna Gloria, Austin, TX

Slip Slidin’ Away, Kunstplatz Garben, Kunst im öffentlichen Raum Wien, Vienna

Assist: Rider, Croeselaan, Centraal Museum, Utrecht, Netherlands

Save on select landscape & outdoor lighting: Song to mind uncouples, The Contemporary

Austin, Austin, TX

2018-19

Relational Aesthetics, The Contemporary Austin, Austin, TX

2018

Play on Surfaces & Surfing, Regenstein Library, University of Chicago, Chicago, IL

Three Squared on the River Bank, Parcours, Art Basel, Switzerland

2016

The Guests All Crowded into the Dining Room, Mitchell-Innes & Nash, New York, NY

Jessica Stockholder: Works on Paper from the 1980’s, Cleopatra’s, Brooklyn, NY

Snug Parting, Galerie nächst St. Stephan, Vienna, Austria

Stockholder, 56 Henry, New York, NY

2015

Rose’s Inclination, Smart Museum, Chicago, IL

Door Hinges, Kavi Gupta Gallery, Chicago, IL and Smart Museum, Chicago, IL

Palpable Glyphic Rapture, Galerie Nathalie Obadia, Paris

2014

Gary Lichtenstein Editions at Mana Contemporary, Jersey City, NJ

Erstwhile & Notwithstanding, C.Ar.D Contemporary Art & Design, Pianello Val Tidone,

Italy

Glimpse, Galleria Raffaella Cortese, Milan, Italy

2013

Jessica Stockholder, Barbara Edwards Contemporary, Calgary, Canada

Lift, 1301PE, Los Angeles, CA

Wide Eyes Smeared Here Dear, Art 44 Basel, Switzerland

2012

Fundacion Barrie de la Maza, Vigo, Spain

Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes,

organized by the Frac des Pays de la Loire

Wide Eyes Smeared Here Dear, Musée d'art moderne, Saint-Etienne Métropole, France

Jessica Stockholder, Max Estrella Gallery, Madrid, Spain

2011

Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield,

CT

Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis, MO

2010

Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid

Barbara Edwards Contemporary, Toronto

Prints and Sculpture, Usdan Gallery, Bennington College, VT

Air Padded Table Haunches and…Carreras Mugica, Bilbao

2009

Sailcloth Tears, Mitchell-Innes & Nash, New York, NY

Swiss Cheese Field, Senior and Shopmaker Gallery, New York, NY

Robischon Gallery, Denver

Coating, Nathalie Obadia, Paris

2008

Jessica Stockholder - Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes,

France

Statements: Martin Barre & Jessica Stockholder, Art 39 Basel, Switzerland

2007

1301 PE, Los Angeles, CA

Galerie Nächst St. Stephan, Vienna, Austria

Galerie Thomas Schulte, Berlin, Germany

2006

Jessica Stockholder, Hafnarborg, Iceland

Jessica Stockholder, Mitchell-Innes & Nash, New York, NY

Jessica Stockholder, Galleria Raffaella Cortese, Milan, Italy

Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, NY

Space Between, Galerie Nathalie Obadia, Paris

2005

Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the

Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe

of the Foot under the Diving Board, Mario Diacono Gallery, Boston, MA

Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition

Blaffer Art Museum, University of Houston, TX, career survey exhibition; curated by

Terrie Sultan and Nancy Doll (cat.); Weatherspoon Art Gallery

Air Padded Table Haunches, Art Unlimited, Basel

Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy; sculpture and print

Rawhide Harangue of Aching Indices As Told By Light. School of the Museum of Fine Arts

at Tufts University, Boston, MA

Palazzo Massari Ferrara Gallerie d’arte moderna e contemporanea, Torino

Skolem, Choc de blocs & chiffres au vent, Institut des Hautes Etudes Scientifiques, Bures-

sur-Yvette

2004

Jessica Stockholder, Kissing the Wall: Works, 1988-2003, Blaffer Gallery, the Art Museum

of the University of Houston, Houston, TX; traveled to Weatherspoon Art Museum, The

University of North Carolina at Greensboro, Greensboro, NC

Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, TX, site-

specific installation

Sable-Castelli Gallery, Toronto, Canada

2003

TV Tipped Toe Nail & the Green Salami, CAPC, Musée d’art contemporain de Bordeaux,

France; Jessica Stockholder Jessica Stockholder Prints, Chelsea Art Museum, New York,

NY Jessica Stockholder, Galerie Rolf Ricke, Cologne, Germany On The Spending Money

Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany

Palm Springs Desert Museum, Palm Springs, CA

Blaffer Gallery, Houston, TX

University of South Florida Contemporary Art Museum, Tampa, FL

MAK Center for Art and Art History, Los Angeles, CA

Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, WA

Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany

2002

Quiet Stops Rattling Thin Air, Baltic Art Center, Visby, Sweden, curated by Lynne

CookeGalleria Raffaela Cortese, Milan, Italy

2001

Galerie Nächst St. Stephan, Vienna, Austria

Gorney Bravin + Lee, New York, NYGalerie Nathalie Obadia, Paris, France

2000

Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) an installation,

& Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland

Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg,

PA

1999

First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto,

Canada

Galerie Rolf Ricke, Köln, Germany

With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for

Visual Arts, Cardiff, Wales

1998

Catriona Jeffries Gallery, Vancouver, Canada

Turning Paper, Galerie Nathalie Obadia, Paris, France; monotypes from Two Palms Press

Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München, Germany

Fabian Marcaccio & Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA

Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen,

Belgium

Turning Paper, Betsy Senior Gallery, New York, NY; monotypes from Two Palms Press

Coupling, White Cube, London, England

Torque, Jelly Role, and Goose Bump, Musée Picasso d'Antibes, Antibes, France

Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes/La Salle

Blanche, Nantes, France

1997

Slab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway

Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los

Angeles, CA

The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson

County Community College, Overland Park, KS

Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin, Germany

Contemporary Fine Arts, Berlin, Germany

Jay Gorney Modern Art, New York, NY

1996

Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, ME

Bowtied In the Middle, Tom Solomon's Garage, Los Angeles, CA

Studio La Città II, Verona, Italy

1995

Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the

Arts, New York, NY

Galerie Nathalie Obadia, Paris, France

Jay Gorney Modern Art, New York, NY

S. L. Simpson Gallery, Toronto, Canada

Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain

1994

Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC

Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, NY

1993

Galerie Ludwig, Krefeld, Germany

Edge of Hothouse Glass, Galerie des Arènes, Carré d'Art, Musée d'Art

Contemporain de Nîmes, Nîmes, France

1992

Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich,

Switzerland

SpICE BOXed Project(ion), Galerie Metropol, Wien, Austria

Flower Dusted Prosies American Fine Arts, Co., New York, NY

Growing Rock Candy Mountain - Grasses in Canned Sand, Westfälischer Kunstverein,

Münster, Germany

1991

Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago,

Chicago, IL

As Long as it Lasts, Witte de With, Rotterdam, The Netherlands.

Daniel Weinberg Gallery, Santa Monica, CA

Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CT;

installation: UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, part three of

three-part series: The Broken Mirror, curated by Klaus Ottman

1991

Biennial, Whitney Museum of American Art, New York, NY

1990

Mary Heilmann and Jessica Stockholder; For Mary Heilmann Isabella Kacprzak Galerie,

Köln, Germany

Where it Happened, American Fine Arts, New York, NY

1989

Mixing Food with the Bed, The Mattress Factory, Pittsburgh, PA

1988

Indoor lighting for my father, Mercer Union, Toronto, Ontario, Canada

It's not over til the fat lady sings, Contemporary Art Gallery, Vancouver, BC, Canada

1985

Wall Sandwich, Melinda Wyatt Gallery, New York, NY

1984

In-side out, Art Culture Resource Center, Toronto, Ont., Canada

GROUP EXHIBITIONS

2026

Sculpting with Paper: Hand Papermaking at Dieu Donné. Turchin Center for the Visual

Arts, Appalachian State University NC. Feb 6, 2026- June 6, 2026.

Halfl lit. IVAM, Valencia Spain. Feb 18- June 14, 2026

Dibs. Andrew Rafacz Gallery, Chicago IL USA. Jan 16 -Feb 14, 2026

Fährten. Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna Austria. Nov 25,

2025

– Feb 14, 2026.

2025

1 st International Milwaukee Riso Invitational. The Suburban, Milwaukee, WI. Dec 20 th -

Feb 28, 2026.

TENXTEN. Griffin Art Projects, Vancouver, BC Canada

Slow Looking. Catriona Jeffries Gallery, Vancouver, BC Canada

Telepathic Jungle. Schick Art Gallery, Saratoga Springs, NY

2023-24

Tuercas: Una historia de ciencia ficción recluida en giros, L21 Home Gallery, Islas

Baleares, Spain

2023-24

Quotidien Cummons, Centre d’art contemporain de la Ferme du Buisson, Noisiel, France

2023

Keith Sonnier: Live in Your Head, Parrasch Heijnen, Los Angeles, CA

Mettre les formes, Galerie Nathalie Obadia, Paris, France

2022-23

The House of Dust: Women’s work (1960-2020), Musée d’art modern et contemporain,

Saint-Étienne, France

From There to Here, Anderson Ranch Arts Center, Snowmass Village, CO

2022

Hippydrome, Frac Normandie, Caen, France

Shifting the Silence, The San Francsco Museum of Art, San Francisco, CA

On the Nature of Things, Andrew Kreps Gallery, New York, NY

Informal Get Together, Mitchell-Innes & Nash, New York, NY

Domgasse 6, Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria

Monochrome Multitudes, Smart Museum of Art, The University of Chicago, IL

2021-22

Steel, String, Spit Bite: Selections from the LeWitt Collection, New Britain Museum of

American Art, New Britain, CT

On The Basis of Art: 150 Years of Women at Yale, Yale University Art Gallery, New

Haven, CT

A Collection without Boundaries. International Art since 1990, Galleria Civica d’Arte

Moderna e Contemporanea, Torino, Italy

2020-21

Rosso e Grigio, Studio la Città, Verona, Italy

Contemporanee / Contemporanei, University of Verona, Verona, Italy

2021

Eight of Pentacles, RUSCHMAN, Chicago, IL

Women in Abstraction, Centre Pompidou, Paris, France

Città irreale, Lokremise Cultural Center St. Gallen, St. Gallen, France

High Emission Zone, Galerie Nathalie Obadia, Paris, France

2020

La Musèe 2, Studio la Città, Verona, Italy

Intimate, Galeria Max Estrella, Madrid, Spain

Objects to be Destroyed, Akron Art Museum, Akron, OH

Life in space, Regional Museum of Contemporary Art, Sérignan, France

Contemporanee/Contemporanei, Verona, Università di Verona - Polo Universitario di

Santa Marta, Italy (permanent exhibition)

New York: The 1980s; Part II, Consortium Museum, Dijon, France

2019

25 Years of the Falckenberg Collection, Deichtorhallen Hamburg, Hamburg, Germany

1301PE@GBT, Galerie Barbara Thumm, Berlin, Germany

Color Field, Crystal Bridges Museum of America Art, Betonville, AR

The Foundation of the Museum: MOCA's Collection, The Geffen Contemporary at MOCA,

Los Angeles

Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Penn

State College, University Park, PA

2018

The Fragrance of Images – Works of colección OLOR VISUAL, Barcelona, Art and Culture

Foundation Opelvillen Rüsselsheim, Germany

Senza Tema. Carta / Paper, Studio La Città, Verona, Italy

The Conditions of Being Art: Pat Hearn Gallery & Americab Fine Arts, Co. (1983-2004),

Center for Cultural Studies, Bard College, Annandale-on-Hudson, NY

Generations Female Artists in Dialog Part 1, Sammlung Goetz, Munich, Germany

Outliers and American Vanguard Art, National Gallery of Art, Concourse Galleries,

Landover, MD

2017

Works from the CAPC Collection, Musee d'Art Contemporain de Bordeaux, Bordeaux,

France

La Pergola, Musée régional d'art contemporain Occitanie/Pyrénées-Méditerranée,

Sérignan, France

THE ANXIETY OF INFLUENCE, Chapter NY, New York, NY

Contra, Fine Arts Center Gallery, University of Arkansas, AR

Umhverfing|Shapeshifting, Hjalteyri Herring Factory, Hjalteyri, Iceland

99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI

Expanded, Mana Contemporary, Chicago, IL

2016

Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser & Wirth,

Los Angeles, CA

Contemporary Highlights from the Collection, The National Academy Museum, New

York, NY

Her Crowd, New Art by Women for our Neighbors’ Private Collections, Bruce Museum,

Greenwich, CT

A Revolution in the Making, Hauser Wirth and Schimmel Gallerly, Los Angeles, CA

2015

Dancing Foxes Benefit Exhibition, Bridget Donahue Gallery, New York, NY

SITE 20 Years / 20 Shows SPRING, SITE Santa Fe, NM

2014

Ladies First!, Künstlerinnen aus der Sammlung Schaufler, Schauwerk Sindelfingen,

Sindelfingen, Germany

OK Great REALLY this is ALSO RIDICULOUS, DCKT Contemporary, New York, NY

OK GREAT THANKS THIS IS SO RIDICULOUS, curated by Brion Nuda Rosch, ACME Gallery,

Los Angeles, CA

IN FUTURE: a potential, Magazin 4, Bregenzer Kunstverein, Bregenez, Austria

Painting Made Different: Fabian Marcaccio, Sam Moyer, & Jessica Stockholder, curated

by Jill Brienza, Salina Art Center, Salina, KS

2014

Invitational Exhibition of Visual Arts, Academy of Arts & Letters, New York, NY

2013

Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University,

Augusta, GA

Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley-

Tree Museum of Art, Montecito, CA

The Ceiling Should Be Green, P!, New York, NY

Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA

On the Matter of Abstraction (figs. A & B), Rose Art Museum, Brandeis University,

Waltham, MA

2012

Drawings by Sculptors, Inman Gallery, Houston, TX

Greetings from Los Angeles, Starkwhite, Auckland, New Zealand

To Be a Lady: Forty-Five Women in the Arts, 1285 Avenue of the Americas Art Gallery,

New York, NY

Everyday Things: Contemporary Works from the Collection, The Museum of Art, Rhode

Island School of Design, Providence, RI

2011-12

December, Organized by Howie Chen, Mitchell-Innes & Nash, New York, NY

2011

Not about Paint, Steven Zevitas Gallery, Boston, MA

New Work : Jessica Stockholder, John McEnroe, Jae Ko, Derrick Velasquez, Wendi

Harford, Terry Maker, Linda Fleming, Judy Pfaff, Katy Stone and Blake Haygood,

Robischon Gallery, Denver, CO

Schnitte im Raum: Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany

21 Americans, Bernard Jacobson Gallery, New York, NY

Towards the Third Dimension, David Floria Gallery, Aspen, CO

CIRCA 1986: The 80's from Six Important New York Art Collections, curated by John

Newson, Nicola Trezzi, and Astrid Honold, Hudson Valley Center for Contemporary Art,

Peekskill, NY

2010

Friends in High Places, Christopher Henry Gallery, New York, NY

España/América La Abstracción redefinida, Galleria Max Estrella, Madrid

2009

Transitions: Painting at the (Other) End of Art, Collezione Maramotti, Reggio Emilia, Italy

Painting And Its Environs, Palacio de Sastágo, Zaragoza, Spain

Living With…, Galleria Raffaella Cortese, Milan, Italy

Mind The Step, 1301PE, Los Angeles

David Gilbert, Ian Pedigo, Jessica Stockholder, Klaus Von Nichtssagend, Brooklyn, NY

Winter Light, 1301 PE, Los Angeles, CA

Embrace!, Denver Art Museum, Denver, CO

2008

Color in 3D: Found, Applied, and Readymade, Westport Arts Center, Westport, CT

Rita McBride Cornelia Parker Eva Rothschild Jessica Stockholder, Carreras Mugica,

Bilbao, Spain

2007

Lust for Life: The Ricke Collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

Sublime: Experiences and Perceptions in Contemporary Sculpture, Pilar Parra & Romero,

Madrid

Concrete Works, Mitchell-Innes & Nash, New York, NY

In Defense of Ardor, Bellwether, New York, NY

A Drawing Show, Lisa Boyle Gallery, Chicago, IL

Connecticut Contemporary, Wadsworth Athenaeum Museum of Art, Hartford, CT

2006

Transitional Objects: Contemporary Still Life, Neuberger Museum of Art, Purchase

College, SUNY, Purchase, NY

Women’s Work, Greenberg van Doren Gallery, New York, NY

Paint, Vancouver Art Gallery, Canada

2005

Art 21, Inc, New York Dieu Donne Papermill Residency; accompanying exhibition Pucker,

the Gallery at Dieu Donne Papermill, New York, NY

Material Matters, Cornell University, Johnson Museum of Art, Ithaca, NY

Katharina Grosse, Jessica Stockholder, Christine Streuli: Aufgedeckt, Mark Muller,

Germany

Polly Apfelbaum, Katharina Grosse, Karin Sander, and Jessica Stockholder, Galerie Nacht

St. Stefan, Vienna, Austria

2004

179th Annual: An Invitational Exhibition of Contemporary American Art, National

Academy Museum, New York, NY

Kunst Stoff, Galerie Nächt St. Stephan, Vienna, Austria

Whitney Museum of American Art, New York, NY; “Whitney Biennial 2004”

The Dunny Show, Kid Robot; Visionaire Gallery, New York, NY

Kunst Stoff, Galerie Nachst St. Stephan, Vienna, Austria

Transformer, Kunstverein Ludwigsburg, Ludwigsbur, Germany

The National Academy Museum Invitational, New York, NY

Peintures Migrantes, Ecole Superieure des Beaux-Arts du Mans, Le Mans, France

2003

Flower Power; FRAC Lille, FrancePainting on Sculpture, Tanya Bonakdar Gallery, New

York, NY

Under Pressure: Prints from Two Palms Press, The Cooper Union School of Art, New

York, NY

2002

Art Downtown: New Photography, Wall St Rising, New York, NY

Print Publisher's Spotlight Two Palm Press, Barbara Krakow Gallery, Boston, MA

SiteLines: Art on Main, Addison Gallery of American Art, Phillips Academy, Andover, MA

New Editions & Monoprints, Pace/Prints, New York, NYBeyond the Pale: Material

Possibilities, Neuberger Museum of Art, Purchase, NY

Living Units; Triple Candie, NY

Under Pressure: Prints from Two Palms Press, University Gallery, University of

Massachusetts, Amherst, MA

2001

Camera Works, Marianne Boesky Gallery, New York, NY

American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic Prints &

Multiples, Senior & Shopmaker Gallery, New York, NY Objective Color, Yale University

Art Gallery, New Haven, CT; curated by Jennifer Gross

On Collecting: Pictures, Patents, Monkeys and More…, Western Gallery, Western

Washington University, Bellingham, WA and traveling under the auspices of

Independent Curators Incorporated; curated by Ingrid Schaffner

Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, NM;

curated by Dave Hickey; installation: Bird Watching

2000

Before They Became Who They Are, Kravets/Wehby Gallery, New York, NY, curated by

Norman Dubrow

Galerie Nachst St. Stephan, Vienna, Austria

Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice), Heimer &

Döring Kunstberatung, Berlin, Germany

Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; curated by Ute

Riese

Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, VA Spilled

Edge/ Soft Corner, Blackwood Gallery, University of Toronto at Mississauga, Erindale

College, Mississauga, Ont., Canada (traveling)

In the Beginning was MERZ, Sprengel Museum, Hannover, Germany, installation:

Gelatinous Too Dry (Schwitters homage exhibition traveling to Haus der Kunst,

München, Germany)

Apparent Things: Painting with Things, installation: Pictures at an Exhibition, Haus der

Kunst, München, Germany

1999

Geez Louise!: Art After Louise Nevelson, Educational Alliance Gallery, New York, NY

Think Twice: International Sculpture Show, Galeria OMR, Mexico City, Mexico

Drawing in the Present, Aronson & Main Galleries, Parson School of Design, New York,

NY

Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Wien, Austria; ...und wandelt

mit bedächtiger Schnelle vom Himmel durch die Welt zur Hölle, curated by Gunther

Umberg

Recent Prints, Betsy Senior Gallery, New York, NY

Re: Rauschenberg, Marcel Sitkoske Gallery, San Francisco, CA; curated by Stuart

Horodner

Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke, Kasseler Kunstverein,

Kassel, Germany

1998

Centre Georges Pompidou, Paris France: Dijon / le Consortium.coll; installations: House

Beautiful, 1994 and Recording Forever Pickled, 1990

Young Americans 2; studio works and installation: Bowtied In the Middle, 1995, Saatchi

Gallery, London, England

Coming Off the Wall, Susquehanna Art Museum, Harrisburg, PA; curated by Jonathan

VanDyke

I Love New York: Crossover der aktuellen Kunst, curated by Dr. Christina Lissmann,

Museum Ludwig Köln, Köln, Germany

Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle

Zürich, Zürich, Switzerland; organized by Andreas Schweizer

Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr

and Lydia Yee, The Rotunda Gallery, Brooklyn, NY; curated by Dena Shottenkirk

University of Texas at San Antonio Art Gallery, San Antonio, TX; University Art Gallery,

New Mexico State University, Las Cruces, NM; Santa Barbara Contemporary Arts Forum,

Santa Barbara, CA; Chromaform: Color in, curated by Frances Colpitt

Painting Language, L A Louver Gallery, Los Angeles, CA

Galerie Georg Kargl, Vienna, Austria; Review

Humble County, D'Amelio Terras Gallery, New York, NY

Exploiting the Abstract, Feigen Contemporary, New York, NY

Now and Later, alumni exhibition curated by Joachim Pissarro & Prof. Thomas Crow,

Yale University Art Gallery, New Haven, CT

Pop / Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine

Arts, Philadelphia, PA; curated by Sid Sachs

Alternative Measures, Castle Gallery, College of New Rochelle, New Rochelle, NY;

curated by Susan Canning

Gallery Artists, Jay Gorney Modern Art, New York, NY

1997

The Prophecy of Pop, Contemporary Arts Center, New Orleans, LA; curated by John

Good

Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent

Collection, The Whitney Museum of American Art, New York, NY

New York - Divergent Models, Nassauischen Kunstverein, Wiesbaden, Germany; curated

by Saul Ostrow

Onomatopoeia, Studio La Città, Verona, Italy

Colorflex, Apex Art, New York, NY; curated by Raphael Rubinstein Across Lines: J.Beuys,

M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson,J.

Stockholder, D.Weiner, F.West, Rosenberg Gallery, Hofstra University, Hempstead, NY;

curated by Dan Devine

Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R.

Tiravanija Bob van Orsouw Galerie, Zürich, Switzerland

4e Biennale de Lyon, Halle Tony Garnier, Lyon, France; curated by Harald Szeemann;

installation: Bowtied In the Middle, 1995 (cat.) Corderie Building, Venice, Italy; La

Biennale di Venezia: XLVII International Art Exhibition, curated by Germano Celant;

installation: Recording Forever Pickled, 1991 (cat.)

1996

L'Ossessione Del Segno, Studio La Città, Verona, Italy Millennium Eve Dress, The Fabric

Workshop and Museum, Philadelphia, PA; curated by Janet Kardon

Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO

Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, PA; curated by

Paula Marincola

Luminous Bodies, Rotunda Gallery, Brooklyn, NY; curated by Dara Meyers-Kingsley What

I Did On My Summer Vacation, White Columns, New York, NY

Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Galerie Rolf Ricke, Köln,

Germany

Painting In An Expanding Field, Usdan Gallery, Bennington College, Bennington, VT,

organized by Saul OstrowSquare Bubbles, Nott Memorial Art Museum, Union College,

Schenectady, NY; curated by Arthur GibbonsPainting Outside Painting: 44th Biennial

Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington,

DC; curated by Terrie Sultan

Una Nuova Tradizione Americana, Galerie Oddi Baglioni, Rome, Italy

Contemporary Art Museum, University of South Florida, Tampa, FL

Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Re:Fab:

Painting Abstracted, Fabricated, Fleming Museum, University of Vermont, Burlington,

VT; curated by Rochelle Feinstein, Shirley Kaneda and Margaret A. Miller

Elena Sisto, Lisa Hoke, Jessica Stockholder Dru Arstark Gallery, New York, NY

Rooseum, Malmö, Sweden

Painting The Extended Field; Magasin 3, Stockholm, Sweden; studio works and

installation: Bowtied In the Middle

1995

1995 Collectie Presentatie Moderne Kunst, Centraal Museum Utrecht, Utrecht, The

Netherlands

Color in Space: Pictorialism In Contemporary Sculpture, David Winton Bell Gallery, List

Art Center, Brown University, Providence, RI; curated by George Hofmann

New York – Positionen Aktueller Malerei, Studiogalerie der Kunstverein Museum Schloá

Morsbroich, Leverkusen, Germany

On Target, Horodner Romley Gallery, New York, NY

Targets, Horodner Romley Gallery, Soho NY Neue Galerie am Landesmuseum

Joanneum, Graz, Austria; Pittura - Immedia: Malerei in den 90er Jahren, curated by

Peter Weibel; installation: Recording Forever Pickled

1994

Country Sculpture: House Beautiful, Le Consortium, Dijon, France

Joe's Garage, TZ'Art & Co., New York, NY; curated by Stephanie Theodore

Ethereal Materialism, Apex Art, New York, NY; curated by Susan Harris Symphonie en

Sous-Sol, Galerie Renos Xippas, Paris, France The Little House on the Prarie, Marc Jancou

Gallery, London, England Balkenhol, Dunham, Gilliam, Hirst, McCaslin, Stockholder,

Weinstein, Baumgartner Galleries, Washington, D.C.

Herr Schleiermachers Sista Dröm: Föreställningar om Måleriet, Galerie Nordenhake,

Stockholm, Sweden

John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, curated by Arturo Herrera,

N.A.M.E. Gallery, Chicago

Information Service, Goethe House, New York, NY Untitled..., Postmasters Gallery, New

York, NY The Beauty Show, Four Walls, Brooklyn, NY

Possible Things: A Drawing Show, curated by Vik Muniz, Bardamu Gallery/Publishing

House, New York, NY

Don't Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY

Reveillon '94, Stux Gallery, New York, NY

Unbound: Possibilities in Painting, installation: Fat Form and Hairy: Sardine Can Peeling,

Hayward Gallery, The South Bank Centre, London, England; curated by Adrian Searle &

Greg Hilty

1993

Testwall: Small 3 Dimensional Multiples, TZ'Art & Co., New York, NY Galerie Nathalie

Obadia, Paris, France

Jours Tranquilles à Clichy, Tennisport Arts, New York, NY; curated by Alain Kirili As Long

as It Lasts, Witte de With, Rotterdam, Netherlands

Jours Tranquilles à Clichy, curated by Alain Kirili, 40, Rue de Rochechouart, Paris, France

Lothringer Straße 13, München, Germany; Ordnung und Zerstörung, curated by Noemi

Smolik The Good, the Bad, and the Ugly...a modest proposal, curated by Peter Hopkins,

Galerie Jousse Seguin, Paris, France John Good Gallery, New York, NY Anniversary

Exhibition, Daniel Weinberg Gallery, Santa Monica, CA Mettlesome & Meddlesome:

Selections from the Collection of Robert J. Schiffler, The Contemporary Arts Center,

Cincinnati, OH

American Fine Arts, New York, NY Simply made in America, The Aldrich Museum of

Contemporary Art, Ridgefield, CN; curated by Barry A. Rosenberg

1992

Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan

Gallery, Bennington College, Bennington, VT; organized by Joshua Decter Mary

Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York, NY Cultural

Fabrication, John Good Gallery, New York, NY Women artists not included in Documenta

9, Kunstlerhaus Stuttgart, Stuttgart, Germany

As Long as It Lasts; installation: Catcher's Hollow, Witte de With, Rotterdam,

Netherlands

1991

Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery, New York, NY

American Artists of the Eighties, Palazzo delle Albere, Museo Provinciale d'Arte, Trento,

Italy

Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, NY; curated by

Catherine Liu

Southeastern Center for Contemporary Art, Winston-Salem, NC; Hirshhorn Museum and

Sculpture Garden, Washington, DC; Albuquerque Museum, Albuquerque, NM Awards in

the Visual Arts 10, Toledo Museum of Art, Toledo, OH Sculptors' Drawings, Paula Cooper

Gallery, New York, NY The Museum of Natural History, Barbara Farber Gallery,

Amsterdam, The Netherlands; curated by Robert Nickas Physicality: An Exhibition on

Color Dimensionality in Painting, The Gallery, New York, NY; curated by George Hoffman

Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, NY; organized

by Thea Westreich Outside America: Going into the 90's, Fay Gold Gallery, Atlanta, GA;

curated by Tricia Collins and Richard Milazzo Stuttering, Stux Gallery, New York, NY

1991

Biennial; installation: Recording Forever Pickled Too, Whitney Museum of

American Art, New York, NY

Le Consortium collectionne; installation: Recording Forever Pickled, Chateau d'Oiron,

Oiron, France

1990

The Technological Muse, Katonah Museum of Art, Katonah, NY, curated by Susan Fillin-

Yeh

Le Choix Des Femmes; Consortium, Espace Frac and L'Usine, Dijon, France; installation

(at Le Consortium): Recording Forever Pickled

Contingent Realms, The Whitney Museum of American Art at Equitable Center, New

York, NY; curated by Adam Weinberg

Detritus, Jack Tilton Gallery, New York, NY; curated by Janine Cirincione Stendhal

Syndrome: The Cure, Andrea Rosen Gallery, New York, NY; curated by Rhonda

Lieberman, Catherine Liu & Lawrence Rickels Daniel Weinberg Gallery, Santa Monica, CA

Jack Tilton Gallery, New York, NY Information, Terrain, San Francisco, CA; fax-art

exhibition curated by Robert Nickas, Armando Rascon, and Peter Wright Pop 90,

Postmasters Gallery, New York, NY

1989

Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum,

Pittsfield, MA; juried by Lisa Phillips American Fine Arts, Co., New York, NY A Climate of

Site, Barbara Farber Gallery, Amsterdam, Netherlands; curated by Robert Nickas Galerie

Xavier Hufkens, Brussels, Belgium

Making a Clean Edge, PS1, Long Island City, NY

1988

Artists and Curators, John Gibson Gallery, New York, NY

1985

Selections from the Artists File; installation: The Lion the Witch and the Wardrobe,

Artists Space, New York, NY

Wall Sandwich, Melinda Wyatt Gallery, New York, NY

1982

Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada

Graduation Exhibit, McPherson Library Gallery, University of Victoria, Victoria, Canada

PUBLIC AND COMMISSIONED WORKS

2024

Making Way, Carnegie University, Scaife Hall, Pittsburgh PA

2019

Cloud Storage, McDonalds Headquarters, Chicago, IL

2016

Color Jam Houston, presented by the Houston Downtown Management District, the

Weingarten Art Group & Kavi Gupta Gallery, Houston, TX

2015

Roses Inclination, Smart Museum of Art, University of Chicago, Chicago, IL

2014

Angled Tangle, Art Basel Miami Beach Public 2014, Miami

Once Upon a Time, EXPO Chicago, Navy Pier, Chicago, IL

Like Water If Pond As Lily, UCSF Medical Center, Mission Bay, San Francisco, CA

2013

Projects Los Altos, SF MOMA, Los Altos, CA

Butterfly Legs, commissioned by L’association Calandreta Costa Pravada, Les Abattoirs,

Toulouse, France

2012

Color Jam, Chicago Loop Alliance, Chicago, IL

2009

Flooded Chambers Maid, Madison Square Park, New York

2005

Lumps Bumps and Windy Figures, commissioned by primary school pupils from

Longjumeau, Institut des Hautes Études Scientifiques, Burs Sur Yvette, France

2002

Sign Waving Blush, Winterthur Insurance and Winterthur Life, 11 Unterstrasse, St-

Gallen, Switzerland

Shindler House, Los Angeles (cat., see also: www.housesxartists.com)

1999

Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium

Les Champs de la Sculpture 2000, outdoor public installation: Hyphen Grapes in Comma

the Road, 1999, Les Champs-Elysés, Paris, France

1998

Houses x Artists, OpenOffice, Brooklyn, NY; architectural collaboration and group exhibit

organized by M.A.K.

1994

Shoes and No Shoes?, Belgium

1985

Beinecke Plaza, Yale University, New Haven, CT

Yale University, New Haven, CT

Selections from the Artists File; installation: The Lion the Witch and the Wardrobe,

Artists Space, New York, NY

1983

Vancouver, Canada; residential installation: Installation in my father's back yard

1982

Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada

CURATED EXHIBITIONS

2025

Elana Herzog, Koffler Museum, Toronto Canada. Feb 13 th – May 11 th .

2024

Picture Making and Assembling: Artist curated exhibition. Carnegie Museum, Pittsburgh

PA

2021

Cut a rug a round square, OGR Torino, Torino, Italy

2019

Stuff Matters, Centraal Museum of Art, Utrecht, Netherlands

2015

ASSISTED, Kavi Gupta Gallery, Chicago

2010

The Jewel Thief, Frances Young Tang Teaching Museum and Art Gallery at Skidmore

College, Saratoga Springs, NY, co-curated with Ian Berry

2003

Table Top Sculpture, Gorney Bravin + Lee, New York, NY

PUBLIC COLLECTIONS

Addison Gallery of American Art, Phillips Academy, Andover, MA

Auckland Art Gallery, Auckland, New Zealand

Albright-Knox Art Gallery, Buffalo, NY

Art Institute of Chicago, Chicago, IL

Birmingham Museum of Art, AL

The British Museum, London, UK

Carré d'Art, Musée d'Art Contemporain de Nîmes, France

Centraal Museum, Utrecht, The Netherlands

Corcoran Gallery of Art, Washington, DC

Fonds Régional d'Art Contemporain - Limousin, Limoges, France

GAM Torino, Turin, Italy

Indianapolis Museum of Art, Indianapolis, IN

Kunstmuseum St. Gallen, St. Gallen, Switzerland

Le Consortium, Dijon, France

Lehmbruck Museum, Duisburg, Germany

Los Angeles County Museum of Art, Los Angeles, CA

Musee d'art Moderne, Saint-Étienne, France

musée d’Art moderne de la ville, Paris, France

Musée des Beaux-Arts, Nîmes, France

Musée National d’Art Moderne Centre Pompidou, Paris, France

Musée Picasso d'Antibes, Antibes, France

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Museum of Fine Arts, Boston, MA

Museum of Modern Art, NY

National Gallery of Australia, Canberra, Australia

Neuberger Museum of Art, Purchase, NY

Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp, Belgium

Orange County Museum of Art, Newport Beach, CA

Portland Art Museum, Portland, OR

Saatchi & Saatchi Collection, London, UK

Sheldon Museum of Art, Nebraska USA

Staedel Museum, Frankfurt, Germany

Stedelijk Museum, Amsterdam, The Netherlands

San Francisco Museum of Modern Art, CA

The British Museum, London, England

Ulrich Museum, Wichita State University, Wichita, Kansas

Vancouver Art Gallery, Canada

Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC

Westmont Ridley-Tree Museum, Santa Barbara, CA

Westfälischer Kunstverein, Münster, Germany

Whitney Museum of American Art, New York, NY

Yale University Art Gallery, New Haven, CT

MONOGRAPHS, SOLO EXHIBITION CATALOGUES, BROCHURES, ARTIST BOOKS

2025

Jessica Stockholder, Alex Da Corte. Ear Ring. Transcribed discussion. MOCA Toronto.

2019

Cluitmans, Laurie, Jessica Stockholder: Stuff Matters, Centraal Museum, Utrecht, The

Netherlands, 2019

2018

Celant, Germano, et al. Jessica Stockholder: Revised and Expanded Edition, Phaidon

Press, Ltd., London, England, 2018

Jessica Stockholder, Swiss Cheese Field and Sculpture Mingled. Yale University Art

Gallery Bulletin: State of the Art: Contemporary Sculputre. Pp34-33.

2012

Madoff, Steven Henry. Jessica Stockholder: Wide Eyes Smeared Here Dear, Musee d’Art

Moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France, 2012

Madoff, Steven Henry, The Question of Assignment

Pique, Pascal, The Invisible in the Art of Jessica Stockholder

2011

Jessica Stockholder: Grab grassy this moment your I’s, Laumeier Sculpture Park, St.

Louis, IL, 2011

2010

ABC Taste: The Perfect Guest, Captures Editions, Valence, France, 2010

Ian Berry, Jessica Stockholder The Jewel Thief, The Tang Museum, Saratoga Springs, NY

2009

Jessica Stockholder: Coating, Les Editions Incertain Sense/Universite Rennes, Rennes,

France, 2009

Stockholder, Jessica and Adam Weinberg. Jessica Stockholder: Flooded

Chambers Maid, Madison Square Art, New York, 2009

2005

Jessica Stockholder: White Light Laid Frozen-Bright Longing and Soggy Up the Hill,

Kunsthallen Brandts, Odense, Denmark, 2005

Gauthier, Michel and Giorgio Verzotti. Jessica Stockhodler, hopefulmonster with Galleria

Civica d’Arte Moderna e Contemporanea, Torino, Italy 2005

2003

Carruthers, Elspeth, et al. Jessica Stockholder, Kissing the Wall: Works, 1988-

2003, Marquand Books, Inc./Blaffer Gallery/Weatherspoon Art Museum, First

Edition, 2003

2002

Jessica Stockholder, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf and Stiftung

Wilhelm Lehmbruck Museum, Duisburg, Germany, 2002

2001

Jessica Stockholder: Vortex in the Play of Theatre with the Real Passion (for Kay

Stockholder), Varlag für moderne Kunst, Nürnberg, Germany with Kunstmuseum St.

Gallen, St. Gallen, Switzerland, 2001

2000

Mayer, Marc and Jessica Stockholder, Jessica Stockholder: First Cousin Once Removed or

Cinema of Brushing Skin, The Power Plant, Toronto, Canada, 2000

1999

Farquharson, Alex, et al. Jessica Stockholder: With Wanton Heed and Giddy Cunning

Hedging Red and That's Not Funny, Centre for Visual Arts, Cardiff, Wales, 1999

1998

Meschede, Friedrich, et al. Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz,

München, Germany, 1998

Pélenc, Arielle and Jessica Stockholder. Jessica Stockholder: Nit- Picking Trumpets of Iced

Blue Vagaries, Musee Des Beaux-Arts De Nantes, Nantes, France, 1998

1997

Hilty, Greg, et al. Jessica Stockholder: Landscape Linoleum, Openluchtmuseum voor

beeldhouwkunst Middelheim, Antwerpen, Belgium, 1997

Stockholder, Jessica, et al. Jessica Stockholder: Slab of Skinned Water, Cubed Chicken &

White Sauce, Kunsternes Hus, Oslo, Norway, 1997

Criqui, Jean-Pierre, et al. Jessica Stockholder, Musée Picasso d'Antibes, Antibes, France,

1997

Jessica Stockholder: 9 Installations, artist book published by Edition du Centre d'art

imprimé, Paris, France (Edition of 75, signed / numbered), 1997

1996

Ostrow, Saul. The Point of Departure: Moira Dryer, Jessica Stockholder, Gallery of Art,

Overland Park, KS, 1996

Gross, Jennifer. Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art,

Portland, ME, Edition of 100, 1996

Cooke, Lynne, et al. Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads &

Swollen Perfume, Dia Center for the Arts, New York, NY, 1996

Iannacci, Anthony. Jessica Stockholder, Studio La Città, Verona, Italy, 1996

1995

Cooke, Lynne, et al. Jessica Stockholder, Phaidon Press, Ltd., London, England, 1995

Stockholder, Jessica and Jeffrey Swartz. Jessica Stockholder: Sweet for Three Oranges, by

Fundació “la Caixa”, Barcelona, Spain, 1995

1993

Richardson, Trevor. Pink Lady: Jessica Stockholder, Weatherspoon Art Gallery, University

of North Carolina, Greensboro, NC, 1993

Avgikos, Jan, et al. Jessica Stockholder: Edge of Hothouse Glass, Carré d'Art Musée d'Art

Contemporain de Nîmes, Nîmes, France, 1993

Meschede, Friedrich, et al. Jessica Stockholder, Westfälischer Kunstverein, Münster,

Germany and Kunsthalle Zürich, Zürich, Switzerland, 1993

Dercon, Chris, et al. Jessica Stockholder, Witte de With, Rotterdam, The Netherlands &

Renaissance Society, University of Chicago, Chicago, IL, 1993

1991

Westreich, Thea. Peter Nadin / Jessica Stockholder, Warren Adelson Gallery, New York,

NY, 1991

Holmes, Mark. Jessica Stockholder, The Contemporary Art Gallery, Vancouver, Canada,

1991

Miller, John and Jessica Stockholder. Jessica Stockholder, The Renaissance Society at the

University of Chicago and Witte de With Center for Contemporary Art, Rotterdam, 1991

SELECTED BIBLIOGRAPHY

2025

Rosie Prata, ‘Jessica Stockholder’s Knock-out Installation at MOCA Toronto Upends

Expectations’, NUVO, 25 June

Ángela Molina, ‘Pintura en las manos y en la mente’, El País, 31 January

Kate Taylor, “Jessica Stockholder returns to Canada and the landscapes that shaped her

work,” The Globe and Mail, May 27, 2025

2024

Ni, Nicky, “’Mustard on the Foot’: A Review of ‘Jessica Stockholder – For Events’ at

Hutchinson Courtyard,” New City Art, April 30, 2024.

2022

Heinrich, Will, “Two Critics, 13 Favorite Booths at The Armory Show,” The New York

Times, September 8, 2022.

2021

“Office Hours: Jessica Stockholder, University of Chicago Visual Arts Department,” e-flux,

December 8, 2021.

Amedeo Arnesano, Giuseppe, “Interview with Jessica Stockholder: What is normal,” ATP

Diary, August 17, 2021.

2020

Stockholder, Jessica, “Talking Art and About Training: My Invitation to Catherine Sullivan

and Pope.L,” The Journal of the National Academy of Design, October 21, 2020.

“COVID-19 and the Creative Process(es): Jessica Stockholder,” New Art Examiner, June

Pagel, David, “Review: In This LA Gallery, One Artist Puts her ‘Digital Thoughts’ into

Orbit,” Los Angeles Times, February 22, 2020.

2019

Sigler, Jeremy, “Stockholder in Utrecht,” Tablet, June 27, 2019.

Knight, Christopher, “MOCA on the Rebound? Three Strong Shows and Free Entry are

Welcome Signs of Change,” Los Angeles Times, June 12, 2019.

2018

Buhmann, Stephanie. “New York Studio Conversations II: Twenty-One Women Talk

About Art,” The Green Box, Vol. 2, 2018.

2017

Perlson, Hili, “4 Things You Can’t Afford to Miss at MIART 2017,” Artnet news, March 31,

2016

Frankel, David. “Jessica Stockholder, Mitchell-Innes & Nash”, Artforum, December 2016.

Cristello, Stephanie. “Jessica Stockholder: Door Hinges”, Art Review, December 2016.

Myers, Terry. “Jessica Stockholder ‘Roses Inclination’ and ‘Door Hinges’”, Brooklyn Rail,

November 2016.

Dafoe, Taylor. “Everyday Abstraction: A Q&A with Jessica Stockholder”, Blouin ArtInfo,

August 2016.

Moffitt, Evan. “Jessica Stockholder”, Frieze, August 2016.

“Degrees of Separation, From Piero della Francesca to Jessica Stockholder,” Tate

Magazine, Issue 3, Spring 2016

Bier, Arielle. “Review: Jessica Stockholder’s ‘Door Hinges’ and ‘Assisted’,” Art Agenda, 11

January 2016.

2015

Waxman, Lori. “Bathtub or mattress, it’s all art to Jessica Stockholder”, Chicago Tribune,

28 Oct 2015.

Picard, Caroline. “Jessica Stockholder”, Artforum, Oct 2015.

Boucher, Brian. “Plan Your Armory Week 2015 With Our Guide to Best Art on Show,”

artnet news, 2 March 2015

2014

“Your Concise Guide to the 2014 Miami Art Fairs”, Hyperallergic, 1 Dec

Kinsella, Eileen. “Expo Chicago Breathes New Life into the Windy City Art Scene”, artnet

news, 16 Sept 2014

“Jessica Stockholder/Karla Black at Galleria Raffaella Cortese”, Mousse Magazine, Issue

44, Milan, Italy, Summer 2014

2013

Ambler, Charlie. “Tiered Thinking: Sculpting the City of Angels”, Modern Painters,

July/Aug 2013

Enright, Robert. “Taking Notice: An Interview with Jessica Stockholder”, Border

Crossings, Issue No. 127, p. 42 – 59, 2013

Picard, Caroline. “Jessica Stockholder”, Art ltd., p. 64-68, Sept/Oct 2013

2012

Blair, Gwenda. “At a Busy Intersection, Going Beyond Red, Yellow and Green”, New York

Times, 6 June 2012 (illustrated: page C2)

Metcalf, John. “CITIES, Chicago’s Downtown Goes All 1980’s with Immense, Fluorescent

Art”, The Atlantic, 1 June 2012

Milioulis, Chiara. “Color the Loop”, Today’s Chicago Woman, May 2012

Weinberg, Lauren. “Jessica Stockholder Completes Color Jam in the Loop”, TimeOut

Chicago, 31 May 2012

Coleman, Victoria. “Color Jam Aims to Brighten Up the Loop”, NBC Chicago, 30 May

2012

Esposito, Stefano “Chicago Sun Times, Splash of Color for Loop”, Chicago Sun Times,

May 30, 2012

“30 Days of Summer”, Vogue.com, 29 May 2012

Krc, Matt. “New Public Art Piece Largest, Trippiest in Chicago’s History”, AV Club

Chicago, 25 May 2012

Bednarz, Christine. “Color Jam in Chicago", Huffington Post, 16 May 2012

Caro, Mark. “‘Color Jam’ Lights up the Loop”, Chicago Tribune, 4 June 2012 (illustrated:

front page)

Baird, Daniel. “Stand Up Performance”, Canada Art Magazine, Winter 2012

2011

Princenthal, Nancy. “The Jewel Thief”, Art in America, 5 Jan 2011

Cotter, Holland. “New Sparkle for an Abstract Ensemble”, The New York Times, 6 Jan

2011

2010

Asthoff, Jens. “Jessica Stockholder: Peer Out to See”, Artforum.com, December 2010

2009

Kino, Carol. “Go Ahead, Play With (And On) the Art”, The New York Times Arts and

Leisure, 14 June 2009

Katz, Vincent. “Image/Word”, Tate, Etc., Issue 16, Summer 2009

“Jessica Stockholder”, The New Yorker, 26 May 2009

“Art Fag City Two Great Shows in Chelsea”, The L Magazine, 22 May 2009

Esplund, Lance. “Jessica Stockholder: Three Exhibitions”, Wall Street Journal, 16 May

2009

Francesca Mataraga. “Expanded Painting in the Work of Helio Oiticica and Jessica

Stockholder,” The International Journal of the Arts in Society, Vol. 3, No. 4

2007

Brooks, Amra. “Must See Art: Jessica Stockholder”, LA Weekly, 26 Sept 2007

2006

Nadelman, Cynthia. “Jessica Stockholder”, Artnews, December 2006

Buhmann, Stephanie. “ArtSeen: Jessica Stockholder”, The Brooklyn Rail, November

Schjeldahl, Peter. “Art Stockpiled”, The New Yorker, October 2006

Schwendener, Martha. “Jessica Stockholder at Mitchell-Innes & Nash, Art in Review”,

The New York Times, 29 Sept 2006

Johnson, Ken. “Constrasts in Sculpture, In Theme and in Medium”, The New York Times,

February 21, 2006

Schambelan, Elizabeth. “1000 Words: Jessica Stockholder”, Artforum, pp. 206-07,

January 2006

2005

Colpitt, Frances. “Jessica Stockholder: A Merging of Mediums”, Art in America, p. 92-97,

February 2005

2004

Barliant, Claire. “Critics' Picks: Jessica Stockholder, Rice University Art Gallery”,

Artforum, 14 Oct 2004Cheetham, Mark. “Crossovers, Visual Arts: Jessica Stockholder”,

Border Crossings, Issue No. 91; p. 122-125

Johnson, Ken. “The 179th Annual”, The New York Times, 14 May 2004

Princethal, Nancy. “Jessica Stockholder at Gorney Bravin + Lee”, Art in America, p. 121,

March 2004Verdier, Evence. “Jessica Stockholder”, Art Press, p. 72-72, Feb 2004

2003

Cohen, David. “Arts & Letters: Gallery-Going”, The New York Sun, p. 15, November 2003

Levin, Kim. “When a ‘tender collision’ becomes an artist’s ‘situation’”, The Village Voice,

November 2003

Arte, p 34-35, Sept/ Oct 2003Smith, Roberta. “Review: Jessica Stockholder”, The New

York Times, p. E41, 31 Oct 2003

“Reviews: Jessica Stockholder”, The New Yorker, p. 21-24, 3 Nov 2003

Yablonsky, Linda. “Art Reviews: Jessica Stockholder”, TimeOut New York, p. 79, October

Dannatt, Adrian. “Contemporary Commercial Galleries: Jessica Stockholder Table Top

Sculpture,” The Art Newspaper, No. 140, p. 3, October 2003

Tumlir, Jan. “Trespassing: Houses x Artists”, Frieze, p. 120, Summer 2003

Roug, Louise. “Home as art, and vice versa”, LA Times, p. F4, 15 May 2003 Yablonsky,

Linda. “Even the Kitchen Sink”, ARTnews, p. 136-139, May 2003

“The 1980’s: Part Two”, Artforum, p. 112, April 2003

2002

Perra, Daniele. “Jessica Stockholder at Galleria Raffaella Cortese”, Tema Celeste, p. 97

D'Souza, Aruna. “Reviews: Jessica Stockholder at Gorney Bravin + Lee”, Art in America,

p. 157, October 2002

Moratto, Rossella. “Le Costruzioni di Jessica Stockholder”, Art & Job Magazine, 27

February 2002

Beatrice, Luca. “Stockholder: alla ricerca della casualità”, Arte, p. 65, February 2002

Leinz, Gottlieb. “Jessica Stockholder: Jenseits der Malerei, Duisburg”, Vernissage, p. 4-

13, Winter 2002

Müller-Tamm, Pia. “Jessica Stockholder: On the Spending Money Tenderly, Eine

Installation in K20 Kunstsammlung Nordrhein_Westfalen”, Vernissage, p 14-15, Winter

2002

2001

Rush, Michael. “In Santa Fe, Searching for the Meaning of Beauty”, The New York Times,

p. AR 31, 8 July 2001

Smith, Roberta. “Quick as A Shutter, Group Shows Shatter Conventional Wisdom”, The

New York Times, p. E 32, 6 July 2001

Pollack, Barbara. “Reviews: Jessica Stockholder at Gorney Bravin + Lee, Summer”,

ARTnews, p. 174, 2001

Chambers, Christopher. “Jessica Stockholder at Gorney Bravin + Lee”, Flash Art, p. 151,

May-June 2001

“Galleries Downtown: Jessica Stockholder”, The New Yorker, p. 27, 12 March 2001

Cotter, Holland. “Review: Jessica Stockholder”, The New York Times, p. E37, 2 March

2001

“Working Proof: Jessica Stockholder”, Art on Paper, March-April 2001

Levin, Kim. “Voice Choices: Jessica Stockholder”, The Village Voice, 27 Feb 2001

Ryan, David. “Jessica Stockholder: the theater of the inferred”, CVA (Contemporary

Visual Arts)(England), Issue 32, 2001; p. 30- 35, 2001

2000

Berg, Ronald. “Die Dienstleister”, Der Tagesspiegel, p. 30, 2 Dec 2000

Lütgens, Annelie. “Schnittemenge Schwitters”, Der Tagesspiegel, Oct 2000

Bosetti, Petra. “Auf die Besucher wird geschlossen”, Art (Hamburg), Sept 20

“Kunst: Sprengel Museum: Aller Anfang ist MERZ”, Hannover Live, Sept 2000

Müller, Dorothee. “Kurt Schwitters - Kein Fall fur den Abfall”, Süddeutsche Zeitung, 28

August 2000

Winter, Peter. “Ursonate in der Kathedrale des erotischen Elends”, Frankfurter

Allgemeine Zeitung, 25 Aug 2000

Bunte, Ursula. “Alle Dinge der Welt vernüpft”, Kölnische Rundschau, 25 August 2000

Stockmann, Jochen. “Müll war sein Motiv”, Focus (München), 21 Aug 2001

Glanz, Alexandra. “Die Dinge der Welt”, Hannoversche Allgemeine Zeitung, August 2000

Glanz, Alexandra. “Das Sommergeschwitter”, Hannoversche Allgemeine Zeitung, 4

August 2000

Eakin, Hugh. “Dia's New Direction”, Artnews, p. 134-137, June 2000 Anderson, Cecilia.

“Artists for Hire: Houses X Artists”, NU: The Nordic Art Review, p. 12-13, May 2000

1999

Feaver, William. “The Century’s 25 Most Influential Artists: Picasso, Leading Man”,

Artnews, p. 145, May 1999

Baker, Kenneth. “Rauschenberg Coup at SFMoMA”, San Francisco Chronicle, p. E1, May

8 1999

Milroy, Sarah. “Jessica Stockholder's Material World”, The Globe and Mail Visual Arts

(Vancouver), 2 Jan 1999

1998

Hirsch, Faye. “Working Proof: Turning Paper”, On Paper, p. 35-37, May/June 1998

Zimmer, William. “Show of Work Resembling Items at Hand”, The New York Times, p. 16,

15 Mar 1998

1997

Storr, Robert. “Just Exquisite?: The Art of Richard Tuttle”, Artforum, p. 86-93, November

1997

Rubinstein, Raphael. “Abstraction Out of Bounds”, Art in America, p. 104-115, Nov 1997

“Artists Today, The Latest Trends in Art: Objects Transformed”, Scholastic Art, March

1997

1996

Wilson, Malin. “Coming to Our Senses”, Art Issues (Los Angeles), p. 18-21, Nov–Dec 1996

Tomlinson, Jessica. “Target Art opening Invited Participation”, Portland Press Herald.

Nov 7, 1996

Halley, Peter. “Il silenzio di ghiaccio / Icy Silence”, Tema Celeste, p. 40-44, 100-103,

Autumn 1996

Stockholder, Jessica Independent Curators Incorporated Newsletter, New York

Studio Events: Jessica Stockholder, Spring / Summer, p. 4 (studio conversation)

Iannacci, Anthony. “Installation als Illustration eines Denkprozesses: Jessica Stockholder

im Dia Center for the Arts, New York”, Kunst Bulletin (Zürich), p. 8-15, April 1996

Gardner, Paul. “Studio Visits: Pleasure, Pain & Protocol”, Artnews, p. 106, March 1996

Stockholder, Jessica. “Self-portrait by Jessica Stockholder (Dia)”, The New Yorker, p. 36,

4 March 1996

Lingemann, Suzanne. “Jessica Stockholder”, Art (Hamburg)

“Jessica Stockholder”, Metropolis M (Utrecht), April 1996

Smith, Roberta. “Art in Review”, The New York Times, 3 Feb 1996

Levin, Kim.”The Joy of Curating”, Village Voice, 21 Feb 1996

“Wham: Jessica Stockholder”, Interview, p.32-33, February 1996

Berkman, Robert. “Pulling Matisse Off the Wall”, Linewaters' Gazette (Brooklyn), p.1

1995

Kimmelman, Michael. “A Wrapped Reichstag: That's the Spirit”, The New York Times, 31

December 1995

Rubenstein, Rafael. “Shapes of Things to Come”, Art in America, Nov 1995

Princenthal, Nancy. “Jessica Stockholder: Reinventing the Real”, Art + Text (Australia),

No. 52, October 1995Feinstein, Roni. “Jessica Stockholder: Chaos Theory”, Canadian Art,

Toronto, September 1995

Schwabsky, Barry. “Jessica Stockholder”, Art Press, Paris, Fall 1995Birnbaum, Daniel.

“Jessica Stockholder”, Dagens Nyhter, Stockholm, 16 July 1995

van Ulzen, Patricia. “Jessica Stockholder”, Jong Holland, Tijdschrift voor kunst en

vormgeving na 1850, Rotterdam, June 1995

St. John, Michael. “Jessica Stockholder”, Here and Now: 13 Artists in the Studio (Mass

Productions for Channel 16), Jessica Stockholder, 21 May 1996 (televised interview)

Rubenstein, Rafael. “Full Circle”, Art in America, May 1995Stockholder, Jessica. “A

Project for Artforum by Jessica Stockholder”, Artforum, Feb 1995

1994

Bouisset, Ma‹ten. “Le Consortium: Deux Collections ...l'Université”, Art Press, Paris,

February 1994

1993

Troncy, Eric. “Painting from All Over to All Round: Lauren Szold and Jessica Stockholder

Start Gigging”, Flash Art, Jan / Feb 1993

Chamberlain, Patrick. “On an Antidote”, Witte de With - Cahier #1, October 1993

Stockholder, Jessica. “Figure Ground Relations, Part 1: Catchers Hollow & Part 2: Self

Portrait”, Witte de With - Cahier #1, October 1993

Butler, Connie. “Terrible Beauty and the Enormity of Space”, Art and Text, No.46,

Sydney, September 1993

Stockholder, Jessica. “Parallel Parking”, Turn-of-the-Century Magazine, Vol. 1, No.1,

Spring 1993

Liebman, Lisa. “Junk Cultured”, Frieze, March / April 1993Donegan, Cheryl. “One

Portrayal, Four Portraits”, Tema Celeste, Winter 1993

1992

Stockholder, Jessica. “The Question of Gender in Art”, Tema Celeste, Fall 1992

Westfall, Stephen. “Interview with Jessica Stockholder”, Bomb, Sept. 1992

Jaeckel, Claudia. Art Das Kunstmagazin, May 1992

Obrist, Hans-Ulrich. “The Installation is Coming Through The Backdoor”, Meta 1 Die

Kunst und Ihr Oht, January 1992

1991

Sichel, Berta. “Undomesticated Still Lifes: the order and disorder of Jessica Stockholder”,

Balcon, issue #7, January 1991

Stockholder, Jessica. “Interview with Jessica Stockholder”, The Journal of Contemporary

Art, Vol. 4, #1, Spring/Summer 1991

Mahoney, Robert. “Jessica Stockholder”, Tema Celeste, Mar / Apr 1991

Schmidt, Eva. Kunstforum, Jan / Feb 1991

1990

Parks, Addison. “Going it Alone with Sculpture”, The Christian Science Monitor 29

November 1990

Bankowsky, Jack. “The Obligatory Bed Piece”, Artforum, October 1990Saltz, Jerry.

“Notes on a Sculpture: Mis-appropriation, Jessica Stockholder's Sculpture with No

Name”, Arts Magazine, April 1990

Nickas, Robert. “The State of Things, questions to three object-conscious artists”, Flash

Art, March/ April 1990

GRANTS AND AWARDS

2026

Merit Award in Sculpture, American Academy of Arts & Letters

2024

Sidney Simon Award, National Academy of Design Annual Exhibition Award

2018

Elected to the American Academy of Arts & Sciences

2014

The National Academy Award for Excellence

The American Academy of Arts and Letters, Awards in Art

2012

Anonymous Was A Woman Award

2011

National Academy of Design, elected National Academician

2007

Smithsonian American Art Museum, Lucelia Artist Award

Association Internationale des Critiques d’art, New England Chapter, First Place Award

for the Best Installation or Single Work of Art in a Boston Museum

2001

August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V.,

Duisburg, Germany

1996

John Solomon Guggenheim Fellowship Award, Visual Art Canada Council

“A” Grant1994 Canada Council “B” Grant1993 Canada Council “B” Grant1992

Canada Council Project Cost Grant Canada Council “B” Grant1990 Canada

Council “B” Grant Award in the Visual Arts1989 New York Foundation for the

Arts Grant in Painting1988 National Endowment for the Arts Grant in Sculpture 1988

Canada Council “B” Grant1987 Canada Council “B” Grant1985 Susan H.

Whedon Award, Yale University First Alternate, Prix de Rome, American Academy of Rome1984

Canada Council Short Term Grant Ontario Arts Council Grant British

Columbia Cultural Fund Scholarship1983 Artists in the Schools Grant, Ontario, Canada

Yale Tuition Scholarship1981 British Columbia Cultural Fund Grant for

Undergraduates1980 Helen Pitt Fund for Undergraduates1979 University of

British Columbia Tuition Scholarship

TEACHING AND RESIDENCIES

2011-2024

University of Chicago, Illinois; Chair, Department of Visual Arts

2018

Wissenschaftskolleg, Berlin, Germany, resident artist 1999- 2011

1999-2011

Yale University, New Haven, CT; Director of Graduate Studies in Sculpture

1996

Skowhegan School, Skowhegan, NY; resident artist, Mildred C. Brinn

Endowed Chair

1997

Calder Studio, France

1995

New York University, New York, NY School of Visual Arts, New York, NY;

faculty member M. F. A. fine arts

program

1994

School of Visual Arts, New York, NY; senior year painting and sculpture Bard

College, Annandale-on-Hudson, NY; multidisciplinary graduate

program

1993-4 New York University, New York, NY; foundation sculpture course

1993

New York University, New York, NY; graduate sculpture course Bard College,

Annandale-on-Hudson, NY; multidisciplinary graduate

program New York University, New York, NY; foundation sculpture course The Cooper

Union, New York, NY; sculpture course

1992

New York University, New York, NY; graduate sculpture course School of Visual

Arts, New York, NY; second year sculpture course New York University, New York, NY;

foundation sculpture course 1990 The University of British Columbia, Vancouver, B.C.,

Canada; “Color and Painting,”

continuing education course

1985

Yale University, New Haven, CT; teaching assistant for beginning sculpture

Yale University, New Haven, CT; teaching assistant for intermediate and advanced

sculpture

LECTURES/VISITING ARTIST POSITIONS

2026

Emily Carr University: The Twilight Hour, artist talk.

2025

The Jewish Museum, NYC. Between US: Artists in Conversation. With Adrian Wong.

The University of Victoria, BC Canada

2024

University of Victoria: Visiting artist talk.

2019

De Ateliers, Amsterdam, The Netherlands; lecture, studio visits

Colour Critique: A Symgrposium on Colour as an Agent for Taste, Experience and Value

in the Exhibition Space, Frans Hals Museum, The Netherlands; panel discussion

2003

Dia: Chelsea, New York, NY; “Jessica Stockholder on Jorge Pardo”1998 The

Museum of Modern Art, New York, NY; “Jackson Pollock”

Whitney Museum of American Art, New York, NY; “Mark Rothko”Vancouver

presentations

1997

Atelier Calder, Tours, France; resident artist

Southern Illinois University at Carbondale, Carbondale, IL; visiting artist in “Another's

Beauty” series, lecture, studio visits

The University of New Mexico, Albuquerque, NM; visiting artistSchool of the Art

Institute of Chicago, Chicago, IL; visiting artist, lecture, studio visits

Brown University, Providence, RI; panel discussion: “Color in Space: Pictorialism in

Contemporary Sculpture” (with Oliver Herring, George Hoffman and Diana

Johnson)University of California Los Angeles, Los Angeles, CA; visiting artist Rhode Island

School of Design, Providence, RI; lecture Hunter College, New York, NY; panel

discussion: “The Position of Painting Today: Mary Heilmann, Jessica Stockholder, Terry

Winters”Vancouver Art Gallery, Vancouver, Vancouver, BC, Canada; lecture University of

Victoria, Victoria, BC, Canada; studio visits

University of Texas, Austin, TX; lecture, studio visits

Fundaci¢ “la Caixa”, Barcelona, Spain; lecture Facultat de Belles Arts, Univ. de

Barcelona, Barcelona, Spain; conference

1994

Tyler School of Art, Philadelphia, PA; lecture, studio visits Cranbrook

Academy of Art, Bloomfield Hills, MI; lecture, studio visits Carnegie Mellon University,

Pittsburgh, PA; lecture, studio visits Columbia University, New York, NY; slide lecture

1993

CalArts, Valencia, CA; lecture, studio visits Bennington College,

Bennington, VT; lecture, studio visits De Ateliers, Amsterdam, The Netherlands; two

days studio teaching1992 Rhode Island School of Design, Providence, RI; lecture, studio

visits Hunter College, New York, NY; lecture University of British Columbia,

Vancouver, B.C., Canada; slide lecture 1991 Parsons School of Design, New York, NY; visiting

critique panelist for first

year architecture class Tyler School of Art; Philadelphia, PA; lecture, studio visits Yale

University, New Haven, CT; lecture, studio visits School of Visual Arts, New York, NY;

slide lecture

1990

State University of New York, Purchase, NY; lecture, studio visits Whitney Museum, New

York, NY; education program lecture 1988 Brock University, Toronto, Ontario, Canada;

visiting artist